Funny Woman #1
As you can probably tell, I'm taking time to deconstruct this book. I'm trying to figure out how it works, how the comedy elements work. I'm also just reading it as a book, and it is fascinating. Lewis's life story is engrossing and her respect for the singers and actors who came before her rounds it all out, showing she has a brain and a heart. I'm halfway through right now, and there are threads already weaving through the text: mental illness and bipolar disorder, self-destructive behaviours, the desire to be a star. I can feel it starting to come together. It's a well put-together book.
Why did I choose this book? Well, it's been sitting in my book collection for a few years. Not quite long enough to be collecting dust exactly. Long enough that I've felt guilty for not reading it. I've put together a storage box of books I own that have vague links to comedy. Whether they're memoirs or biographies, guides to comedy, even a couple of books about mime. I plan to work through these books (and buy more!) as I work out what my comedy plan is.
Does The Mother of Black Hollywood give me a clue as to what I want to do with my comedy project? Well, in the middle of the book, Lewis talks about her many one-woman shows. Maybe I could do something like that. Lewis is a classically trained actress with a killer voice and a high kick to die for. I don't have her many talents. But could I do something within my skills and expertise? Maybe I could write a show for someone else to perform? Maybe I could create a character, like Lewis's diva, who plays to my strengths.
Certainly, the book has taught me a lot. It has taught me to think big, to go big. Why not? There's no point crouching and pretending to be small. Why not be great? I just need to find out where my powers lie.

Comments
Post a Comment